To Read & To Write

I don't know how well Shard Cinema (2017) will age compared to Williams' previous two books ( Roman Letters and Combined and Uneven Apocalypse ). However, I do think the theory he provides his readers concerning the contemporary cinematic experience is vital to new interpretations of a world that has become increasingly difficult to conceive of visually. In essence, he writes of a purely visual representation of a kind of momentary halting of time that allows for the movement of abstractions rather than the movement of actual objects; a coming into view of that which has been broken, fractured, severed, and ultimately, shattered. Most of the films he cites are blockbusters that had/have the monetary heft to show their audiences a kind of shattered imaging (it takes a whole lot of money to digitally produce the effect). Interestingly, it seems Williams understands these moments of gradual breakdown - the shift of perspective from "landscape" (or cityscape, etc.) to ...

To put it lightly: every time I've picked up "Roman Letters" since its publication I've been reminded that I'm fully alive, not quite dead yet, and that I hate it. And yet, it is precisely the letters in this book that have urged me continue on, despite all my illnesses, mental and physical, and all the disgusting politics that go with that. With steady words, the stories Williams tells throughout this masterpiece of a text convince me that maybe it's not so bad, maybe it's completely OK to go on living with this hatred of my existence; moreover, that it is necessary for me to unpack what's there, to go in deep into that emptiness, and, for the sake it, become that gorgeous thing like Williams' Napoli... that Italian city that he traverses (Rome and Bologna among others)... a city that is gorgeous, "gut-clenching gorgeous, because it has stopped caring whether or not it exists, but still it does." (81) "Roman Letters" is the ...

Similar in its practical (or tactical, whichever you prefer) aim to perhaps John Berger's " Ways of Seeing"  (1972), Evan Calder Williams' " Combined and Uneven Apocalypse" (2011) lays bare a different understanding of the world: a world in which its subjects can no longer point beyond themselves to any given cause. The apocalypse is here, it has been, and it will be. So now what? First, Williams really wants us to get a handle on what the apocalyptic actually is - on his terms - so that we can understand what it means to become  post-apocalyptic : "... post apocalyptic here does not mean that we have witnessed the destruction of our society or nation. It means what we don't know who are enemies are anymore. The very category of enemy is rendered diffuse, reduced to the bad smell of fear stinking up the place." (p. 55) Williams is interested in the literature, language, and filmic readings of zombie films, films about catastrophe, the t...

(Listen to the audio version of this letter read by Resonance Audio) My short review:  A powerful and passionate letter to all of us in these times of riot, rebellion, and mayhem. Instead of seeing those who dissent the perpetuation of classicism and racism, particularly by the hands of the police, as apart from the whole (indeed, of humanity), Williams asks us, in well reasoned vexation, to take notice of our blind spots and understand how to fathom these chaotic rebellions as natural responses to injustice, greed, and ignorance. Whether you are part of the rebellion or one who witnesses the death and destruction from your velvet couch, the point here is not so much an urge for you to dis/continue setting fires or to move from your meditative position in order to stoke it, but rather to consider the actions leading up to such hellish disruption; a consideration that hopefully leads to a connective point disavowing all the structures set in place that makes class and rac...